Funny thing about zombies…
The zombie film, most associated with George A. Romero’s flesh eating ghouls first depicted in Night of the Living Dead (1968), isn’t supposed to be something that one thinks about — that is to say, when one watches a zombie flick, one’s attention would not be focused on analyzing complex philosophical issues or concepts. Certainly with the standard zombie fare represented by notable titles such as Bong of the Dead, Redneck Zombies, Hood of the Living Dead, L.A. Zombie, Nudist Colony of the Dead, Zombie Strippers, Pot Zombies, and Aaah! Zombies, it’s no surprise that any serious philosopher would dismiss the entire zombie horror sub-genre as crap. I will admit I am no exception to this rule.
Don’t get me wrong, most zombie movies are crap. And really, they need not be anything more than what they are — simply movies with people being attacked and consumed by hoardes of the undead. (NOTE: the fact that a movie is crap does not negate the fact that it may be entertaining). The funny thing about generalizing, even when you generalize in the name of philosophy, is that sometimes — often times — you make a mistake. The mistake I’m thinking about goes by the name of the AMC series The Walking Dead.
Now I know what you’re asking, “what on earth does a TV show about zombies have to do with philosophy?”. Philosophers can debate whether zombie movies and TV shows like The Walking Dead are worthy of metaphysical or epistemic analysis, but certainly no philosopher in his or her right mind would ever claim that a zombie and/or zombie movie or TV show cannot be subjected to ethical scrutiny. My answer to the question is this: SHANE WALSH IS THE MOST PHILOSOPHICALLY FASCINATING CHARACTER ON TELEVISION. And how, you say, is Shane Walsh the most fascinating character on television? The answer is this: ETHICS.
Ethics is defined as the science of morals in human conduct. Ethical philosophers construct theories concerning how individuals can and should act. Ethical theories include utilitarianism, deontological ethics, situational ethics, divine command theory, ethical egoism, emotivism, intuitionism, pragmatic ethics and applied ethics. To be sure, Shane Walsh, or rather the late Shane Walsh (formerly played by Jon Bernthal) is certainly an ethical piece of work. We, the audience, watch Shane, a cop before the zombie apocalypse, devolve into a paranoid, murdering, unrepentant, would-be rapist psychopath, whose scheming to murder his best friend and former partner Rick Grimes (Andrew Lincoln) results in Shane’s eventual death and zombie resurrection. To the causal observer Shane Walsh lacks any remaining thread of civility, but the philosophically-oriented eye, Shane is a case study in pragmatic ethics.
Just as pragmatism, founded by American psychologist and philosopher William James (1842-1910) holds that the truth of a theory rests on how the theory works in practice, Shane Walsh’s method of dealing with and operating in the zombie apocalypse rests on his ability to get things done — that is to say, how his theories work in practice. William James wrote, “In practical talk, a man’s common sense means his good judgment…”, and certainly Shane Walsh’s common sense is based on his good judgment.
So… when Shane shoots Otis in the leg and leaves him to be eaten by a pack of zombies, or openly expresses his desire to call off the search for Sophia, or when Shane, against Rick’s orders, opens Hershel’s barn and treats the denizens of Hershel’s farm to the zombie equivalent of a turkey shoot, or when Shane openly challenges Rick’s ability to protect his wife and son (Shane tells Rick, “I don’t think you can keep them safe”), or when Shane leads Randall out to the woods to kill him, or attempts to kill Rick on three separate occasions, it’s not because Shane has lost all contact with his humanity. Shane does what he does because he know that his method of getting things done is simply what works.
Shane tells Rick, “You can’t just be the good guy and expect to live”. And in the end, Shane is right. In the last episode of season two, “Beside the Dying Fire”, Rick Grimes (after dispatching Shane) declares that he is leader of the group of survivors and that the group is no longer a democracy (fans of the show lovingly refer to Rick’s declaration as the beginning of the “Ricktatorship”). Rick realizes that Shane is right. In the post-civilization zombie world, high-minded ethical systems like Kant’s deontological ethics or Aristotle’s virtue ethics are no longer applicable. If a man wants to survive the onslaught of the undead he has to be willing to only do what has practical value — what will allow not only himself, but others to survive. Shane Walsh does not lack morality, as some have claimed. He is neither amoral, nor is Shane Walsh purely in it for himself (Shane’s repeatedly tells Rick that he wants to protect Rick’s wife and son, and even saves the lives of others, including Rick Grimes and fellow survivor Andrea, thus demontrtating that he is motivated by someting other than his own desires). Instead, Shane Walsh exhibits the kind of morality that is not bogged down by concepts of virtue or absolute duties. Shane’s willingness to follow the pragmatic approach to morality not only saves lives, but also allows Rick Grimes to live long enough to stab Shane through the heart.